HAMM

Drawings

Interventions

Media Art

Photographs

Sculpture

KAMANGER

Bead Knitting

Drawings

Embroidery

Interventions

Sculptures

TOGETHER

Conceptual Gardens

Installations

Media Art

Participatory Works

Working in Public Space

Picture of Chanel, 18 place Vendôme, Paris Picture of Dior, 8 place Vendôme, Paris Picture of Prada, 10 Avenue Montaigne, Paris Picture of Jewish Cemetery, Prague Picture of Jewish Cemetery, Prague Picture of Jewish Cemetery, Prague Picture of Lungotevere dei Sangallo, Rome Picture of Lungotevere dei Tebaldi, Rome Picture of Lungotevere dei Tebaldi, Rome Picture of Ilica, Zagreb Picture of Ilica, Zagreb Picture of Ilica, Zagreb Picture of The Patarei Prison, Tallinn Picture of The Patarei Prison, Tallinn Picture of The Patarei Prison, Tallinn Picture of The Ali Chetinkaya 12, Izmir Picture of The Cumhuriyet Bulvari 152, Izmir Picture of The Cumhuriyet Bulvari 169, Izmir Picture of The Square of the Three Cultures, Mexico City I Picture of The Square of the Three Cultures, Mexico City III Picture of The Square of the Three Cultures, Mexico City II Picture of Saint Petersburg Botanical Garden I, photograph, 66 x 98 cm, 2015 Picture of Saint Petersburg Botanical Garden II, photograph, 66 x 98 cm, 2015 Picture of Datsha Gromova, Petersburg, photograph, 66 x 98 cm, 2015 Picture of Hietalahdenkatu 1, Helsinki, photograph, 66 x 98 cm, 2016

Working in Public Space

Intervention in public space, photographs, 2010 -

Dzamil Kamanger has made several interventions into the public space by bead knitting his works of art. The sites are carefully selected and there is always a connection what he is making and where. The interventions are documented by photographing and video and documentations are installed in gallery spaces in different ways.

"This project - consisting of embroidered visas and similar documents placed in front of abandoned craft shops in Ilica - continues the series of interventions in public space I launched in 2009. At first, they commented on the position of immigrants in various European cities, and today they refer to various problems linked to a specific locality and the embroidered motif (on the banks of Tiber), zone of the lowest social strata, it is the visa for the members of my family in Iran); on the Jewish cemetery in Prague, it is motif based on the case of Iranian gay man who applied for political asylum). My artefacts in Ilica focus on history of the street and its current situation, expressing my solidarity with small merchants and craftsmen who had to cede before the new marketing economics, which are not always based in fairness.""

Dzamil Kamanger